SCANNER
Deniz Kaptan on Devotion, Reinvention and the Art of Being Seen
Denim Tears Turns André Leon Talley, Basquiat, and André Walker Into Wearable Memory
Lorenzo Roncaglione on Marginality, Discomfort and Imperfection
Yoshitomo Nara Brings His Beautifully Defiant Inner Worlds to Chelsea
Yohji Yamamoto Turns a 1930s Bamboo Chair Into an Object of Black Silence
Charlotte Gainsbourg Photographs the Ghosts Inside Maison Gainsbourg
Stone Island Enters the Pit With The Calm and The Chaos
The Met Is Turning John Galliano Into Fashion’s Most Complicated Blockbuster
New Balance Plants a Garden Inside the Mythology of Made in UK
Ferzan Özpetek Will Turn Giorgio Armani’s Life Into a Study of Cinema, Style, and Control
OVERSTANDARD – Culture & Creativity
OVERSTANDARD – Culture & Creativity
  • FASHION
  • ART & DESIGN
  • INNERVIEWS
  • ARTICLES
  • PHOTOGRAPHY
Tag:

Austin Ansbro

    ART & DESIGNINNERVIEWS

    A Conversation with Austin Ansbro

    by Rubén Palma June 2, 2025
    written by Rubén Palma

    Philadelphia-based artist Austin Ansbro creates bold, chaotic reinterpretations of pop culture icons, blending nostalgia with surreal distortion. His style, marked by vibrant colours, exaggerated features, and raw, hand-drawn energy, reimagines familiar characters as playful yet unsettling caricatures. Influenced by cartoons, comics, and punk zine culture, his work explores themes of memory, consumerism, and inviting viewers to confront the absurdity and humor beneath beloved imagery.

    Hi Austin! It’s a pleasure to sit down with you! First question that I always ask. How does a regular day look like for you in Philadelphia?
    Austin: The first half of my day is taking care of my children and running errands. Both myself and my wife work full time so we manage the household between two schedules. I work as a janitor for a church at night so the second half of the day I am away. I tend to gain all my drawing time sporadically throughout the day. 

    Ok Austin, with these next series of questions, I will try to delve into your work as best as possible. So, your work is described as bold and chaotic, with vibrant colours and exaggerated features. How did you develop this distinctive style, and what draws you to this raw, hand-drawn energy?
    Austin: Honestly just letting the character be smushed in the confines on the page. So when depicting the original character through my lense it’s important to not second guess marks. The less correction the better.

    Your work blends playful and unsettling tones. How do you balance these opposing emotions to create caricatures that are both familiar and jarring?
    Austin: Honestly it’s taking the original reference of the character and recreating it the best I can. The distortions are natural with 2 parts the medium and the proportions. 

    Some of your  influences are cartoons, comics, and punk zine culture. What is it about these topics that resonates so well with you?
    Austin: To be honest all of the work I do is commissioned for the most part. The cultural and love for these characters comes from the clients. 

    With that in mind, what do you look for when reinterpreting pop culture icons? How do you decide which characters to reimagine and what elements to distort?
    Austin: I look for great original images from the shows themselves. In terms of features to distort eyes are really fun to reinterpret through the character. 

    You invite viewers to confront the absurdity and humor beneath beloved imagery. What do you hope audiences take away from this confrontation?
    Austin: Like I said these characters are special to the people paying me to recreate them. So I hope what ever they do for them is enhanced through the style I present them in. 

    Can you walk me through your creative process from beginning to end result?
    Austin: I have a client contact me with characters and I grab resources for them. After finding sufficient reference material I start to sketch. The sketching is fluid and runs right into outlining in black color pencil. After outlining the sketch I begin to color in the character. I’m not concerned with smudging or staying in the lines really. I use a specific beige paper that is standard for all my drawings. 

    Can you also tell me about your use of symbolism?
    Austin: I use a small face to brand my images and sometimes they are hidden or in front depending on the character. 

    How do you approach color?
    Austin: I match the color distinctions of each character the best I can.

    What motivates you?
    Austin: My faith in Jesus Christ is first and raising up my family.  

    Share this:

    • Tweet
    • Telegram
    • WhatsApp
    • More
    • Print
    • Reddit
    June 2, 2025 0 comment
    0 FacebookTwitterEmail

SIGN UP FOR OUR NEWSLETTER

Categories

  • ART & DESIGN
  • ARTICLES
  • CINE
  • CULTURE
  • FASHION
  • GAMING
  • INNERVIEWS
  • LIFESTYLE
  • MUSIC
  • NFTs
  • PHOTOGRAPHY
  • SPORTS
  • TECH
  • TOYS

Categories

  • ART & DESIGN (854)
  • ARTICLES (28)
  • CINE (181)
  • CULTURE (234)
  • FASHION (2,122)
  • GAMING (57)
  • INNERVIEWS (443)
  • LIFESTYLE (108)
  • MUSIC (92)
  • NFTs (102)
  • PHOTOGRAPHY (75)
  • SPORTS (35)
  • TECH (111)
  • TOYS (118)

Recent Posts

  • Deniz Kaptan on Devotion, Reinvention and the Art of Being Seen
  • Denim Tears Turns André Leon Talley, Basquiat, and André Walker Into Wearable Memory
  • Lorenzo Roncaglione on Marginality, Discomfort and Imperfection
  • Yoshitomo Nara Brings His Beautifully Defiant Inner Worlds to Chelsea
  • Yohji Yamamoto Turns a 1930s Bamboo Chair Into an Object of Black Silence

© OVERSTANDARD

OVERSTANDARD – Culture & Creativity
  • FASHION
  • ART & DESIGN
  • INNERVIEWS
  • ARTICLES
  • PHOTOGRAPHY