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Photo courtesy of Versace
Versace is heading into uncharted territory. The house has confirmed that Dario Vitale is stepping down as creative director on 12 December, ending a whirlwind nine-month tenure that coincides with the brand’s blockbuster $1.25 billion acquisition by the Prada Group. The timing is impossible to ignore: a new owner, an abrupt creative exit, and a brand preparing for its most dramatic transformation since the late 90s.
In its statement, the house thanked Vitale for his “extraordinary contribution”, a polite acknowledgment of a period that was anything but calm. His single runway outing — Spring/Summer 2026, shown in September — became one of the season’s most dissected shows, signalling a move toward sharper lines, higher price points, and a more rarefied vision of Versace. Analysts saw it as the first step in repositioning the brand at the luxury tier, a shift many felt was overdue.
Vitale’s arrival in March was historic in itself. A Neapolitan talent and former Miu Miu design director, he became the first non-Versace-family figure to take the creative reins after Donatella. His appointment arrived just as whispers of a possible sale began circulating — making his leadership feel both bold and precarious from the start. Donatella, meanwhile, remains the house’s global ambassador, a symbolic presence during a moment of upheaval.
Now, under the guidance of CEO Emmanuel Gintzburger, Versace enters a holding pattern while the hunt for a new creative director unfolds. The brand says an announcement will come “in due course”, but the stakes are clear: whoever steps in next will shape the first chapter of the Prada Group–Versace era.
This is more than a staff change — it’s a crossroads. For the first time since Gianni Versace’s death in 1997, the house is confronting a total redefinition of its identity, its leadership, and its future. Fashion is watching closely.