EPIPHANY – Visions Beyond the Canvas

by Victoria Rivers
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When Art Reveals..

With almost 30 years as a reference in  contemporary art, MPA Gallery has consolidated  a unique trajectory in the global art scene. Its  focus is on cultivating solid careers, where new  languages and diverse temporalities merge within  the contemporary artistic vision. Throughout  its history, the gallery has not only highlighted  some of today’s greatest artistic talents, but has  developed curatorial programming that fosters  deep connections with an audience aware of  contemporary dynamics. On this occasion, Galeria MPA joins curator  Victoria Rivers in a collaboration that stems from  the convergence of her vision of contemporary  art and her deep connection to the human  experience, whose work and reseach explore the  ways of thinking that underpin today’s creation. 

This exhibition was born as an answer to the  eternal questions about art, society and the  individual. Epiphany explores those revelatory  moments when an intuition, feeling or idea  leads to a new stage of consciousness, triggering  the creative process. It ranges from divine  manifestations to transformative inventions of  humankind, including reflective processes that  have shaped the collective consciousness. The  exhibition transcends conventional boundaries  by dissolving barriers between artistic expression,  spiritual processes and the consequences of  creation in shaping today’s societies, inviting the  viewer to experience his or her own revelation  and become part of this continuous flow of  collective transformation. 

Joan of Arc listening to their voices in Domrémy’s  garden, trembling at the magnitude of her  mission, not so different from Leonard Cohen  waking up at three in the morning to write verse  by verse ‘Hallelujah’ during years of doubts and  fragmented revelations, both pursuing something  they could not explain. 

Not so different from Marcel Proust, sitting in his  room, with a spoonful of madeleine in his hands,  discovering, through taste, the recesses of his  memory, revealing the structure of his greatest  works. It reminded me of Albert Hofmann  in his laboratory in Basel, 1943, when a tiny  accidental brush with LSD-25 opened the doors  of perception on his famous bicycle ride home. 

Marie Curie, in her dark laboratory, seeing for  the first time the bluish glow of radium in a flask,  a light that would change our understanding  of matter. And then there was Virginia Woolf,  walking the streets of London, when the whole  structure of “Mrs. Dalloway” revealed itself to  her as a web of invisible connections between  people and moments.  And then there was Dalí, on that hot night in  Catalonia, watching a camembert cheese melt  on the table, while his feverish mind transformed  that mundane moment into the soft clocks that  would haunt the art world. All of them, separated  by centuries and purposes, united by that instant  of blinding clarity that comes like a thief in the   night, without warning, without permission,  forever altering the course of their lives and, by  extension, ours.  Like that midday in July when Scott Fahlman,  frustrated by text message misunderstandings,  scribbled the colon and parenthesis that would  become the first emoticon :), a stellar moment  that, as Zweig would say, concentrated “an  immensity of events in a single minute”. 

This group show explores the power of creation  as a means to explore and give form to the  great questions of humanity. Through the works  presented, the viewer is invited to reflect on how  creation is not only a personal manifestation,  but also a reflection of the social and spiritual  transformations that shape our world. Each piece  in Epiphany acts as a point of connection between  the individual and the collective, revealing how,  through the creative act, the boundaries of time  and space can be transcended, reaching new  dimensions of consciousness that affect both  the creator and society.

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