Kiko Kostadinov Explores New Territory This Season

by OVERSTANDARD
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Kiko Kostadinov‘s latest collection is a haunting and beautiful meditation on the work of Hungarian filmmaker Béla Tarr, whose films are known for their bleak yet poetic depictions of human existence. The collection isn’t merely inspired by Tarr’s aesthetic; it embodies it, creating a world of garments that feel as if they’ve emerged from one of his films. Clothing becomes less about simple adornment and more about a profound connection to the surrounding environment, reflecting a life lived in close proximity to the earth.

Kostadinov achieves this effect through a deep exploration of repurposed materials and deconstructed forms. Drawing inspiration from traditional Hungarian and Bulgarian military and artisanal clothing, the collection feels both nostalgic and subversive. Garments are built and rebuilt, showcasing a visible history of alteration and repair. Materials appear recycled and reused multiple times, giving them a sense of age and a story to tell. Traditional elements like embroidery, blankets, and plaids are reimagined as textural components, challenging conventional notions of luxury and style. This repurposing isn’t just practical; it’s a statement about value, suggesting beauty and worth in what might be considered “surplus” or discarded.

Adding to the collection’s somber and evocative mood are the distorted and dark paintings of Ken Trubkovich, which resonate with the overall color palette and thematic concerns. The collection’s visual language is further enhanced by a pervasive sense of asymmetry. Jackets, trousers, tops, and coats all feature irregular cuts and shapes, not simply as a stylistic choice, but as an echo of the unbalanced and often unsettling compositions found in Tarr’s films. This asymmetry underscores the collection’s overall theme of deconstruction and the beauty found in imperfection. The result is a collection that is as thought-provoking as it is visually striking, a powerful tribute to a cinematic master and a testament to Kostadinov’s own unique vision.

Photos: Béla Tarr / Kiko Kostadinov

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