SCANNER
Sophie Dherbecourt Paints the Unfixed Self
Josie Hall’s Red Patience Turns Kendo Into Something Between Ritual and Dream
Louis Vuitton’s new Flight Mode Drop is Luxury for the Transit Lounge Generation
Sotheby’s is Back in Profit — But the Art Market Still Looks Fragile
Aimé Leon Dore brings its cultivated world to Los Angeles
Issey Miyake and Ensamble Studio gives industrial waste a second life in Milan
The Sony World Photography Awards 2026 put Witness Before Spectacle
Denim Tears Reunites with Lauryn Hill and her Family in its Latest Collection
Johnny Nghiem on Growing up Between Worlds
Myles Henrik Hall steps out from Matthew M. Williams’ shadow
OVERSTANDARD – Culture & Creativity
OVERSTANDARD – Culture & Creativity
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  • ART & DESIGNINNERVIEWSMUSICPHOTOGRAPHY

    Music by Brynley Odu Davies

    by Rubén Palma January 16, 2026
    January 16, 2026
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    Daido Moriyama Takes Over Foto Arsenal Wien With a Radical Retrospective

    by OS Staff January 12, 2026
    January 12, 2026
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    Hannah Watson on the Legacy of Trolley Books

    by Brynley Odu Davies December 20, 2025
    December 20, 2025
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    IDEA Revisits ’90s Counterculture Through Davide Sorrenti’s Lost Journals

    by OVERSTANDARD December 8, 2025
    December 8, 2025
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    Inside the Human Experiment with Josh Ethan Johnson

    by Rubén Palma December 3, 2025
    December 3, 2025
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    Sunset Raves and Small-Town Saints: Mirko Ostuni’s Portrait of a Generation

    by Rubén Palma November 29, 2025
    November 29, 2025
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    Romain Ruiz’s France Fantasia

    by Rubén Palma November 24, 2025
    November 24, 2025
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    Life Is One Big Tabloid: Samantha Sutcliffe on Alienation and the Age of Surveillance

    by Rubén Palma November 6, 2025
    November 6, 2025
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    Jon Rafman’s “Nine Eyes” Examines the Poetry and Disquiet of Machine Vision

    by OS Staff October 9, 2025
    October 9, 2025
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    Juergen Teller Opens Expansive Retrospective “you are invited” at Onassis Ready in Athens

    by OS Staff October 8, 2025
    October 8, 2025
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  • Sophie Dherbecourt Paints the Unfixed Self
  • Josie Hall’s Red Patience Turns Kendo Into Something Between Ritual and Dream
  • Louis Vuitton’s new Flight Mode Drop is Luxury for the Transit Lounge Generation
  • Sotheby’s is Back in Profit — But the Art Market Still Looks Fragile
  • Aimé Leon Dore brings its cultivated world to Los Angeles

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